Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen. The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy. ** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **

Tag Archive for 'with'

The Girl With the Dragon Tattoo: Interview with Designer Trish Summerville!

Happy 2012, Frocktalkers! I am delighted to be able to share some insight with you from the costume designer of David Fincher’s The Girl With the Dragon Tattoo, Trish Summerville! Fresh from the launch of the movie as well as the launch of The Dragon Tattoo Collection (exclusively at retailer H & M), Ms. Summerville tells us all about her experience making the film in Sweden, and why she didn’t sample the reindeer meatballs… read on!!

Continue reading ‘The Girl With the Dragon Tattoo: Interview with Designer Trish Summerville!’

Gone With The Wind Gowns Need your Help!

Very interesting article in the LA Times.  Some of the famous Walter Plunkett-designed gowns from Gone With the Wind are in need of restoration and repair.  You can make a donation to help save them HERE.  Keep in mind, most film costumes are not made to last forever, just through the shooting period, really.  If these costumes are to be preserved, it is going to take some work!  Once the costumes are restored, they can be exhibited, and we can share this important chapter of our art form’s history with the public.  If you’d like more information about Walter Plunkett and the design process for this epic film, click HERE!

— KMB



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