The gift giving season is upon us, everyone. Whether it’s Hanukkah or Christmas or Kwanzaa or wrap, it’s probably very likely that you will be buying a gift for someone, and if that someone happens to work in the costume department, you might want to listen up. What follows is this year’s gift list… if you find you need still more inspiration, please consult prior lists HERE, HERE, HERE and HERE. Get your credit cards ready!
Continue reading ‘Holiday Gift Guide for Costume-Types 2013’
Hey there, Sleepyheads, Frocktalkers and friends! I guess the timing of this column just proves that I am unable to keep a deadline when I am working. What was supposed to be an “every Monday” feature is now destined to become a “once in a while when I have a moment” feature, so thank you for your patience while I find some quiet time to answer your questions. Remember, you can post them any time on Twitter, using hashtag #shcostumes. Here is the latest installment:
Continue reading ‘Sleepy Hollow: Ask the Costume Department, Round 2’
Angels costume house, London.
As part of my trip to London, I visited Angels costume house. Frocktalkers, it was amazing to see this place. I remember way back in 1992, I was interning on the Francis Ford Coppola film Dracula. Our associate costume designer Richard Shissler had made a trip to London to pull costumes for some of our massive crowd scenes. My job was to unpack the boxes that arrived from London. I remember gasping with delight and awe at the assortment of beautiful Victorian garments – many of them antiques, originals – that arrived. Where did these garments come from? Angels costume house.
Continue reading ‘Angels, the Costumiers’
Dear Kristin: I am an aspiring costume designer, having switched careers from fashion design. I haven’t looked back since, and it’s been tough, but great. One of my next goals is to join the Costume Designer’s Guild. I have been hard at work finding my way onto any indie feature I can, to learn as much as I can and just continue to gain experience. I was thinking of applying to the Guild (when I feel ready and have some funds saved up) as an assistant costume designer, so I can learn under more experienced costume designers. Is it difficult to then upgrade to costume designer, once I have some union experience under my belt? I’m in no rush to design a union feature as a costume designer; I’m just wondering if I should apply as a costume designer and then just look for assistant costume designer jobs instead, OR if I should apply as an assistant costume designer, and then upgrade.
Continue reading ‘Dear Kristin: To Join, or Not Join, the Union?’
Western Costume Company is celebrating 100 years of service to the entertainment community, and the LA Times is all over it!! There are several articles covering various aspects of Western Costume’s history – HERE, HERE, HERE and HERE. They’ve also resurrected an article from 1989 about the sale and move of Western from Melrose Ave. (the old location, close to the Paramount lot) to its current location in North Hollywood! It’s a pretty spectacular set of articles, and big thanks to LA Times for recognizing the contribution that Western has made to our industry, and for sharing it with the world! Check it out, Frocktalkers, and HAPPY BIRTHDAY, Western!!
Congratulations to the 2012 BAFTA nominees for Outstanding Costume Design! They are:
THE ARTIST Mark Bridges
HUGO Sandy Powell
JANE EYRE Michael O’Connor
MY WEEK WITH MARILYN Jill Taylor
TINKER TAILOR SOLDIER SPY Jacqueline Durran
The awards ceremony is scheduled for February 12, 2012 – stay tuned for more information, and congratulations to all of the designers and crew honored by these nominations!!
I was lucky enough to be able to talk with Desert Flower‘s costume designer Gabriele Binder about her work on the film. Shooting in Djibouti, London, and Germany on a small budget has its challenges, and it is fascinating to hear her stories! Check it out –
Continue reading ‘Desert Flower: Interview with costume designer Gabriele Binder!’
David Matwijkow and Clifford Chally of Costume Co-op
On a quiet, tree-lined street in between Valley Village and the NoHo Arts District, the soothing hum of sewing machines fills the air. Costume Co-op, founded by John van Hout, Clifford Chally and David Matwijkow, is a union costume shop, featuring made-to-order construction, aging and dying, foam sculpting and millinery all under one roof.
Continue reading ‘Adventures in Costuming: COSTUME CO-OP!’