I saw two movies today – OMG, stop the presses. I finally got some “KB Time” and took advantage of it. Bolstering the box office numbers for this weekend’s biggest contenders, I saw them both. There are some interesting parallels, in terms of the costumes, and here’s how I see it:
Continue reading ‘A Million Ways to Die in the West & Maleficent: Interpreting History & Lore’
It’s the number one movie this week, and it had no script. I’m shaking my head, trying to make sense of how a cohesive narrative came together from this, and how they pulled it off. Actor Johnny Knoxville goes undercover as an old man for some Candid Camera-style hijinks on an unsuspecting public… and ends up weaving a sweet (albeit raunchy) narrative about family in the process. I don’t want to spoil the spontaneity of the moments for those of you who haven’t seen it yet, so I’ll just cut right to the chase with designer Lindsey Kear.
Continue reading ‘Bad Grandpa: Interview with Designer Lindsey Kear’
From the Bata Museum: Roger Vivier for German tannery Heyl-Libenau, French, 1934
Frocktalkers, if you love shoes (really? Like who wouldn’t love shoes?!) you are going to LOVE this. The Bata Shoe Museum in Toronto has a fabulous website, and they have PODCASTS all about shoes – famous peoples’ shoes, historical shoes, unusual shoes, I mean, WOAH. It’s pretty incredible. Thanks to Frocktalker Haleh for alerting me to this. I need to grab my earbuds and get listening! Enjoy!!
Release Date: 3-18-11 (USA); 9-24-2009 (Germany)
Runtime: 127 min.
Period: 1968 – 1997
Costume Designer: Gabriele Binder
I read Waris Dirie’s autobiographical book Desert Flower (the basis for this film) back in 1998 when it came out. I was captivated by her bravery and stunned by her life story: young girl from a nomadic tribe escapes arranged marriage in Somalia, comes to London, becomes a supermodel and a UN ambassador. But that’s just the surface.
Waris Dirie’s story is a reminder that there is more to all of us than our surface components – our wounds, our pain, our joy and our determination reside in a hidden place. What we decide to do about all of that surface/hidden stuff is our choice. Waris Dirie has gracefully overcome some seemingly insurmountable obstacles in her life, and her beauty is more than skin deep.
Continue reading ‘Desert Flower’