Very sad news out of Savannah, Georgia, as you have probably heard by now – an accident on the set of ‘Midnight Rider’, the Gregg Allman story, killed a camera assistant and wounded seven additional crew this past week. This accident should have never happened, and it’s the latest in a long string of film industry workplace mishaps and deaths, almost all of them completely preventable. We should all be operating with a heightened sense of awareness for our safety and for the safety of those around us. Too often we are asked to work in dangerous situations by people in charge who are reckless and largely unconcerned for the safety and welfare of the crew.
Continue reading ‘Sarah Jones and the Film Industry Safety Problem’
Review Date: 7-17-2011
Release Date: USA 7-22-2011
Runtime: 111 min.
Period: 1942 – 2011
Costume Designer: Eric Perron
I saw this film at LA’s Museum of Tolerance, in a screening followed by a Q & A with the director, and all I can say is WOW. Many of you may have already read the novel of the same name by Tatiana de Rosnay. The film is an adept adaptation of the novel, and it does not disappoint!!
For those of you who have not read the novel, but want to see the film, do not read past the jump, as there are major spoilers involved. Instead, take my word for it – the film is beautiful, and is appropriate for viewers 12 years old and up. The story is an important, though seldom discussed, part of French history, and it is a compelling story about family and compassion.
Continue reading ‘Sarah’s Key’
The delightful and talented costume designer April Ferry
by Sarah Schuessler, special correspondent to Frocktalk.com
It is illuminating to hear about any costume designer’s process, but it’s especially exciting when you are a fan of the project too. HBO’s Rome is a favorite of mine, and I had the privilege of chatting with its lovely designer, April Ferry, about her experience.
AF: Rome was not only my favorite project I’ve ever done, it is my favorite work I’ve ever done, actually. I’ve done more than forty movies. And even though I only mostly do features, Rome was just—because I got to do it from the ground up. We did the research; we did everything. We made every single costume.
Continue reading ‘April Ferry: A Positive Outlook Goes A Long Way’