I hope that by now, you have had the chance to see the incredible film Boyhood. Shot over the course of twelve years, we follow the same actors on their journey through life, as seen by Mason (aged 7 – 19). It’s a fascinating look at the ups and downs of life in all its gruesome messiness. The costumes follow the characters’ arcs seamlessly, and designer Kari Perkins (Bernie, Mud) has done a wonderful job on the longest narrative project ever! I had some questions for her that I thought you might enjoy…
Continue reading ‘BOYHOOD – Interview with Costume Designer Kari Perkins’
With the big Tony Awards announcements yesterday, it got me thinking. There is an unofficial “grand slam” category of awards winning known as the EGOT. This means Emmy, Grammy, Oscar, Tony. Only twelve people in history have ever won this quadruple crown, and they have been actors, directors, music department people (composers) and producers. To win a Grammy, you must have some kind of musical (or voiceover/spoken word) talent. That narrows the field considerably, and for most costume designers, puts us out of the running for EGOT.
I propose something a bit more attainable. The ECOT. Emmy, CDG Award, Oscar, Tony. That seems reasonable, right? Who might be contenders for this award? Certainly Edith Head is out – she pre-dated the CDG Awards… but who might stand a chance to achieve this in our world today? Looking forward to your thoughts – here and on Twitter @Frocktalk!
Man of Steel Superman suit. Costume designers James Acheson and Michael Wilkinson.
Last night was the big opening gala for FIDM’s 22nd annual “Art of Motion Picture Costume Design” exhibition. Frocktalk contributor Lauren Fonville and I tore it up – chatting with designers and ooh-ing and aah-ing over the many beautiful works of costume art on display. The exhibit showcased costumes from twenty-one films of 2013, as well as last year’s Oscar winner, ‘Anna Karenina’.
Continue reading ’22nd Art of Motion Picture Costume Design Gala at FIDM!’
I thought the costumes in ‘Inside Llewyn Davis’ were so lovely, I just had to ask designer Mary Zophres a few quick questions about her work on the film. Here, she even gifts us with a few of her sources for vintage knits!! BONUS! Read on:
What were your discussions like with directors Joel and Ethan Coen about the look of this film?
Our first discussion involved the intention and that it should feel like a documentary. And that it should have an almost black and white quality to it without shooting in black and white. I also knew it was roughly inspired by Dave Van Ronk, a folk singer who never really achieved a lot of fame.
Continue reading ‘Inside Llewyn Davis: Interview with Costume Designer Mary Zophres!’
Congratulations to the following designers and their crews for being nominated for the Academy Award for outstanding achievement in costume design:
- American Hustle, Michael Wilkinson
- The Grandmaster, William Chang Suk Ping
- The Great Gatsby, Catherine Martin
- The Invisible Woman, Michael O’Connor
- 12 Years a Slave, Patricia Norris
The big night of the awards is Sunday night, March 2, 2014 at 7P Eastern, 4P Pacific. I’ll be watching, will you? In the meantime, it’s time to start looking for The Grandmaster and The Invisible Woman on a screener DVD somewhere – I can’t wait to see them! Congrats to all the nominees and their teams!
Hello, Frocktalkers, and happy new year! We are finally done shooting season one of ‘Sleepy Hollow’, and I’ve been crazed with moving house and catching up. I have seen a few movies (not all of them, sadly) and I have some recapping to do. Here we go…
Continue reading ‘Awardsapalooza 2013: Recap!’
If you work in the arts, you probably know someone like Llewyn Davis… someone who has a boatload of talent, but can’t seem to stop self-sabotaging. The Coen Brothers make use of this archetype – the slacker who just can not, for the love of God, get on with it – in their tale of the early 1960s folk music scene in New York City. The movie is really interesting, though at times frustrating to watch, mostly because you just want to punch Llewyn in the face and tell him to get it together. The costumes (by designer Mary Zophres) are wonderful, and there is a very cute ginger kitty who steals just about every scene he’s in.
Continue reading ‘Inside Llewyn Davis’
Congrats to Jacqueline Durran and her crew for the big win for Anna Karenina! Did you watch the awards? What a show. That Shirley Bassey – that was so cool. If you’d like to relive the night, check out the play-by-play I posted on Twitter @frocktalk. Have a great week, everyone!
Ravenna's "Beetle" costume from Snow White and the Huntsman - designed by Colleen Atwood
Well, Frocktalkers, the big annual FIDM Art of Motion Picture Costume Design event was tonight! I’ve taken a bunch of pictures for those of you out-of-towners who can’t see it in person. However, if you ARE in town, you should really see it for yourself. It’s pretty awesome. It runs until the 27th April! Here’s the gallery:
Congratulations to this year’s Academy Award nominees for outstanding achievement in costume design:
Jacqueline Durran: ANNA KARENINA
Paco Delgado: LES MISERABLES
Joanna Johnston: LINCOLN
Eiko Ishioka: MIRROR, MIRROR
Colleen Atwood: SNOW WHITE AND THE HUNTSMAN
Oddly, the Academy’s website glitch (indicating that Sharen Davis had been nominated for her fabulous work on Django Unchained) did not turn out to be accurate. Wait and see until the CDG Nominations on January 17, 2013 for more nominations, Frocktalkers!! Congrats to all the nominees, their directors, and their costume teams!