Hey Frocktalkers! If you don’t know about Sync on Set yet, you really need to listen up. It’s a cloud-based continuity system. Use your computer, iPad, iPhone to track continuity, break down scripts, communicate with the department, share information, etc. We used it on Insidious 2 and it was really great – we didn’t even need a set binder, kids – it was amazing. They have an AUTOMATED SCRIPT BREAKDOWN (okay?!) and if that’s not enough for you, they offer free classes and tutorials. Here’s more info!
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Review Date: 11-14-12
Release Date: 12-21-12
Runtime: 114 minutes
Period: 2004, contemporary
Costume Designers: Anna Bingemann, Sparka Lee Hall, Maria Reyes
I am a pretty analytical filmgoer. I watch movies like I watch dailies. Very rarely does a film grab me and suck me in. Rarer still do I find myself with tears in my eyes, watching a movie. Well, about twelve minutes in to The Impossible, rivers of tears were rolling down my face, into my mouth, down my neck, and I ceased taking notes.
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Review Date: 10-14-12
Release Date: 10-12-12
Runtime: 120 minutes
Period: 1979 – 1980
Costume Designer: Jacqueline West
In 1979, Americans working at the US Embassy in Tehran were taken hostage. Six of them escaped and sought refuge at the home of the Canadian Ambassador. One man helped them out of Iran. This is the premise of Argo. Based on the true-life story of CIA agent Tony Mendez, the film is gripping, absorbing, and kind of a nail biter. It’s one of the best films I’ve seen in some time, and the costumes and characterizations are top notch.
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I was at a Fourth of July party yesterday, when a makeup writer friend of mine and I got into a conversation about the book Color Me Beautiful. Most of you Frocktalkers are probably too young to remember this phenomenon, but using this book, you could determine whether you were a “winter”, “spring”, “summer” or “autumn”, and choose flattering clothing and makeup colors accordingly. My friend was wondering if the premise still held up today, thirty-plus years after the book was first published. It got me thinking…
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Frocktalk reporters Anthony Tran, JoAnn Orr, and Laura Wong sunk their teeth into Audrey Fisher, 2010 Costume Designers Guild Award nominee for HBO’s True Blood. Audrey was very poised and gracious; she answered our barrage of questions like a true champ.
FT: What are your impressions of this costume exhibit?
AF: It’s always so inspirational to see the costumes up close. It gives me a huge sense of accomplishment for the other designers to see how beautiful things are close up.
Continue reading ‘Audrey Fisher: It’s In Her Blood’