Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen. The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy. ** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **

Tag Archive for 'jacket'

Inside Llewyn Davis

Poster

 

If you work in the arts, you probably know someone like Llewyn Davis… someone who has a boatload of talent, but can’t seem to stop self-sabotaging. The Coen Brothers make use of this archetype – the slacker who just can not, for the love of God, get on with it – in their tale of the early 1960s folk music scene in New York City. The movie is really interesting, though at times frustrating to watch, mostly because you just want to punch Llewyn in the face and tell him to get it together. The costumes (by designer Mary Zophres) are wonderful, and there is a very cute ginger kitty who steals just about every scene he’s in.

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Pennsylvania: Warts and All

COVER

I’m trying to catch up on my movie-watching, as awards season is upon us and those of us who vote need to be informed! Aaaghh! So I’ve recently seen two very interesting Pennsylvania-themed films, Prisoners and Out of the Furnace. Both of these films describe a visual world that (to some people) might seem mundane… but the costumes are brilliant. Check out some images of this very fine work by costume designers Renee April (Prisoners) and Kurt and Bart (Out of the Furnace).

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Sleepy Hollow: Ask the Costume Department, Round 2

Crane

Hey there, Sleepyheads, Frocktalkers and friends!  I guess the timing of this column just proves that I am unable to keep a deadline when I am working.  What was supposed to be an “every Monday” feature is now destined to become a “once in a while when I have a moment” feature, so thank you for your patience while I find some quiet time to answer your questions.  Remember, you can post them any time on Twitter, using hashtag #shcostumes.  Here is the latest installment:

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“Hunger Games” Costumes Head to the Auction Block

HG2

By Lauren Fonville

The odds are ever in the favor of “Hunger Games” fans craving amazing
memorabilia this month.

Blacksparrow Auctions will auction over 200 original costumes from the
2012 film on November 16, just one week before the release of its
sequel “The Hunger Games: Catching Fire.” Bidders can get in on the
action in person at Blacksparrow’s Los Angeles headquarters, by phone
and online. The original costumes designed by three-time Academy Award
nominee Judianna Makovsky will be unveiled at a reception on November
14.
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Sleepy Hollow: Ask the Costume Department

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Welcome to the first installment of “Ask the Costume Department”.  We here at Sleepy Hollow get a lot of questions about a lot of things, and I thought it might be nice to take your questions and answer them in a public forum, once a week.  If you have questions that you’d like to have answered, please tweet them to me @frocktalk with the hashtag #shcostumes.  I will do my best to answer between five and ten questions every Monday here on Frocktalk.com, so let ‘er rip, Sleepyheads!  Here are the first questions:

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Filmjackets.com Interview with Yours Truly

Death-Sentence

Hey there, Frocktalkers – Happy FRIDAY!  Here’s a little interview you can read on your phone while you are stuck in traffic on the 101 on your way home from work.  Our friend Rick over at Filmjackets.com interviewed me for his site, and I thought you might find it interesting, or maybe hilarious, or maybe it will make you want to punch me in the face.  I don’t know.  I hope you don’t want to punch me in the face, but I can’t control that.  OMG, is it the weekend yet?!  I am fried!!  INTERVIEW HERE  Enjoy, and have a great weekend, everyone!!

– KMB

Burt Wonderstone: Interview with Designer Dayna Pink!

Olivia Wilde as Jane in "The Incredible Burt Wonderstone"

Olivia Wilde as Jane in “The Incredible Burt Wonderstone”

Frocktalkers, I am very excited to share this interview with you.  I sat down for breakfast with costume designer Dayna Pink, and we ended up talking about everything from Tenacious D to the tenuous work-life balance in our industry.  Grab a cup of coffee and join us for breakfast!

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Cloud Atlas

Review Date: 12-3-12

Release Date: 10-26-12, USA

Runtime: 172 minutes

Period: 1849, 1936, 1973, 2012, 2144, and 106 A. F. (2321)

Costume Designers: Kym Barrett, Pierre-Yves Gayraud

I don’t even know where to begin with this movie. It is breathtaking in its scope, and is such an impressive piece of work. The film explores six different time periods, six different (but linked) storylines, and it manages to utilize the same troupe of actors in all of the different scenarios. Shooting all storylines simultaneously, with two costume designers and a crew of over fifty in the costume department, it is an astounding accomplishment. You won’t believe your eyes.

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Argo

Review Date: 10-14-12

Release Date: 10-12-12

Runtime: 120 minutes

Period: 1979 – 1980

Costume Designer: Jacqueline West

In 1979, Americans working at the US Embassy in Tehran were taken hostage.  Six of them escaped and sought refuge at the home of the Canadian Ambassador.  One man helped them out of Iran.  This is the premise of Argo.  Based on the true-life story of CIA agent Tony Mendez, the film is gripping, absorbing, and kind of a nail biter.  It’s one of the best films I’ve seen in some time, and the costumes and characterizations are top notch.

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Financial Times Interview: Shay Cunliffe Talks Bourne Legacy

Hey Frocktalkers, this came across my desk today – a nice article in the Financial Times (?!) about costume designer Shay Cunliffe’s work in The Bourne Legacy.  Financial Times?!  YES!  They are hip to our work, kids.  It’s exciting.  Incidentally, I have been tweeting my face off over at the old Twitter site.  Check it out and follow my ultimate self-destruction @Frocktalk.  Nice work, Shay!  Congrats!

– KMB



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