We all know that Debbie Reynolds is a Hollywood legend, but did you know that she is also a lover of costumes? She is auctioning off her massive collection of costumes on June 18, and there is a preview of some of the items right now at the Paley Center for Media in Beverly Hills. Admission to see this exhibit is free, and there is free underground parking (in Beverly Hills!) so get on down and see it before it ends on June 17. I went today, and was there for almost two hours – I took pictures of nearly everything. In fact, I shot two CF cards full of pictures… and now one of the cards is reading ERROR. I have posted some pics HERE and HERE so you can see these costumes – really, the collection is magnificent, and I am told that, of the hundred-plus pieces I saw today, it’s only representative of 40% of her total collection. Simply amazing. Enjoy the pictures, and get down there to see them in person if you can! If you’d like to bid on any of the items, Profiles in History is handling the auction. Click HERE for more info! I will upload the pictures from the defective card as soon as I can!
Review Date: 12-18-10
Release Date: 12-10-10 (LA), expands 2-4-11
Running Time: 102 min.
Period: 1957, 1973
Costume Designer: Ruth E. Carter
Frankie and Alice is a film based on a true story of Frankie Murdock, a woman with dissociative personality disorder (what many people call “multiple personalities”). It is an interesting film in that the actress playing Frankie (Halle Berry) plays three roles at once, and the costumes support her transition between them. Ms. Berry has been deservedly nominated for a Golden Globe for her performance, and the film is worth seeing for her elegant and heart wrenching work.
Continue reading ‘Frankie and Alice’
Very interesting article in the LA Times. Some of the famous Walter Plunkett-designed gowns from Gone With the Wind are in need of restoration and repair. You can make a donation to help save them HERE. Keep in mind, most film costumes are not made to last forever, just through the shooting period, really. If these costumes are to be preserved, it is going to take some work! Once the costumes are restored, they can be exhibited, and we can share this important chapter of our art form’s history with the public. If you’d like more information about Walter Plunkett and the design process for this epic film, click HERE!