Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen. The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy. ** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **

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20 Years of Costume Design!

Hello, Frocktalkers! Yesterday, I celebrated the 20th anniversary of being hired as a costume designer on a feature film. I can’t believe the time has gone by so quickly; it seems impossible. Back then, I was just a young university graduate with a dream – I came to LA not knowing a soul in the industry, but I scrapped and I hustled and I made it happen. I want to sincerely thank producers Holly Keenan, Scott Levy and Mike Elliott for the communication error that eventually lead to my hiring on that film, The Skateboard Kid (you can read all about it in my book Costuming for Film). I’d also like to thank director Larry Swerdlove and producer Roger Corman for not finding out about it and firing me. It’s been a long, arduous, crazy and fun journey, and it feels really satisfying to still be here with most of my sanity intact, surrounded by great friends and still enjoying the work.

Along those lines, I thought you might find the following reading material quite interesting:

Continue reading ’20 Years of Costume Design!’



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