Ellen Mirojnick is a legend in costume design. Her work spans everything from Basic Instinct to Chaplin to Speed to the new HBO bio-pic Behind the Candelabra. I spent a really nice breakfast recently with Ellen talking about a lot of things. I’m going to break it into two interviews, but I wanted to share with you Ellen’s thoughts about making Liberace come to life – helping to transform Michael Douglas into a flesh and blood version of someone so flamboyant he could be easily disregarded as a cartoon. Ellen’s work on this film is jaw-dropping, and I can’t wait to see the film – it airs at 9PM Sunday night, May 26th, on HBO. Read on for more here and join us for breakfast, won’t you?
Continue reading ‘Behind the Candelabra: Interview with Designer Ellen Mirojnick’
Hey there, Frocktalkers – Happy FRIDAY! Here’s a little interview you can read on your phone while you are stuck in traffic on the 101 on your way home from work. Our friend Rick over at Filmjackets.com interviewed me for his site, and I thought you might find it interesting, or maybe hilarious, or maybe it will make you want to punch me in the face. I don’t know. I hope you don’t want to punch me in the face, but I can’t control that. OMG, is it the weekend yet?! I am fried!! INTERVIEW HERE Enjoy, and have a great weekend, everyone!!
Olivia Wilde as Jane in “The Incredible Burt Wonderstone”
Frocktalkers, I am very excited to share this interview with you. I sat down for breakfast with costume designer Dayna Pink, and we ended up talking about everything from Tenacious D to the tenuous work-life balance in our industry. Grab a cup of coffee and join us for breakfast!
Continue reading ‘Burt Wonderstone: Interview with Designer Dayna Pink!’
Frocktalkers, remember that awesome HOLLYWOOD COSTUME exhibit that Deborah Nadoolman Landis put together at the V & A in London last October? Well, it’s on the move! The show will open at the Australian Centre for the Moving Image in Melbourne on April 24. This is a DO NOT MISS event, people. If you are in Australia or New Zealand (or anywhere else close-by), this exhibit merits a trip, for sure. It’s so exciting. More info HERE! Enjoy, everyone!
Hey Frocktalkers! If you don’t know about Sync on Set yet, you really need to listen up. It’s a cloud-based continuity system. Use your computer, iPad, iPhone to track continuity, break down scripts, communicate with the department, share information, etc. We used it on Insidious 2 and it was really great – we didn’t even need a set binder, kids – it was amazing. They have an AUTOMATED SCRIPT BREAKDOWN (okay?!) and if that’s not enough for you, they offer free classes and tutorials. Here’s more info!
Continue reading ‘Sync On Set!’
Ravenna's "Beetle" costume from Snow White and the Huntsman - designed by Colleen Atwood
Well, Frocktalkers, the big annual FIDM Art of Motion Picture Costume Design event was tonight! I’ve taken a bunch of pictures for those of you out-of-towners who can’t see it in person. However, if you ARE in town, you should really see it for yourself. It’s pretty awesome. It runs until the 27th April! Here’s the gallery:
Kimberly Ables Jindra
As costume designers, supervisors and costumers, we often interact daily with background artists. How many of us have ever stopped to think about who these people are, what their lives are like, and how they view US? I talk here with background artist Kimberly Ables Jindra – we’ve worked together on a few films, and I am very fond of her. I thought it might be illuminating for you Frocktalkers to consider the other side of the coin when it comes to background players. We get so busy, so crazed, and we operate under such pressure that I think it’s worthwhile to remind ourselves that background artists are not just bodies; they are people, too.
Continue reading ‘Spotlight On: Background Artist Kimberly Ables Jindra!’
Just some brief thoughts about Mama, since we start shooting on Monday and sadly I don’t have time to do a full review. It’s a scary movie, mostly contemporary with a few flashbacks to the 1880s. Bottom line – BRAVO for the great use of the three-wolf t-shirt. I won’t spoil the surprise for you, Frocktalkers, but watch the movie and spot the three-wolf t-shirt. Also nicely done: the Misfits t-shirts on Jessica Chastain. The overall look of the movie was augmented by great moody lighting and desaturation of the colors in the film (probably in post). The little girls are precious and also creepy, particularly the youngest daughter Lilly (Isabelle Nelisse). It’s a scary movie, but I thought it was pretty mild, actually. It’s a clean PG-13, and the costumes are interesting for sure! Look for the three-wolf t-shirt – it actually made me say “oooh!” out loud in the theater! Nice work, (costume designer) Luis Sequeira, and congrats to the entire costume team!
I apologize for the brief, succinct posting of the nominees for the CDG awards. I was in the middle of a production meeting when the news broke (!) so – don’t tell anyone – but I was busy typing away here at Frocktalk when I probably should have been listening to something important being explained by our first AD. So if we come up empty-handed on some big day on this movie and we don’t have what we need? Sorry, Albert! My bad!
Continue reading ‘Awardsapalooza 2013: Nomination Rumination!’
Congratulations to the BAFTA nominees in costume design!! They are:
Jacqueline Durran, Anna Karenina
Beatrix Aruna Pasztor, Great Expectations
Paco Delgado, Les Miserables
Joanna Johnston, Lincoln
Colleen Atwood, Snow White and the Huntsman
And CDG members, don’t forget to mail your nominating ballots in to the office!! They are due by 5PM on Monday the 14th. BAFTA Awards take place on Sunday, February 10, 2013. Congratulations to the nominees and their teams!!