Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen. The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy. ** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **

Tag Archive for 'festival'

Hey Los Angeles! LA Film Festival Starts Tomorrow, 6/13!!!

LA-Film-Fest-2011

Hey Frocktalkers – if you are in LA, don’t miss this opportunity to see some really cool stuff!!! The LA Film Festival runs from June 13 – 23, and it’s kind of a big deal around town.  On June 20, the LA Film Festival and the Academy of Motion Picture Arts and Sciences have teamed up to bring you an amazing panel discussion about costume design called THE ICONIC MOMENT moderated by Laura Dern.  Included in the panel are costume designers Colleen Atwood (Snow White & The Huntsman, Alice in Wonderland, Memoirs of a Geisha), Mark Bridges (The Artist, Silver Linings Playbook, Boogie Nights), Jeffrey Kurland (Inception, Erin Brockovich, Ocean’s Eleven), and Ellen Mirojnick (Behind the Candelabra, Wall Street, Basic Instinct). This is one of those events you just don’t want to miss.  Tickets available at the LAFF Website.  Also, side note in a shamelessly self-promoting kind of way – two films that I designed are going to be showing at the LAFF:  Winter in the Blood and The Conjuring.  Check it out and see you there!!

 

– KMB

Adventures in Costuming: The Big Muddy Film Festival!

Hello Frocktalkers – hope you had a good weekend! I am back from Carbondale, Illinois, where I spent a few days serving as a juror for the Big Muddy Film Festival. It was a total blast, and I am so inspired by the work I saw there. In total, I think I saw 52 films in about 48 hours (give or take some hours for sleep). Some of them were shorts, but there were many, many 60+ minute films. It was a lot to see, but boy was it fun. We announced the winners on Saturday night, via Beatles Rock Band, singing the titles of the winners. It was awesome.

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Adventures in Costuming: Film Festival Juror & Trunk Show!

One satisfied customer:  the CAT MAT

One satisfied customer: the CAT MAT

Hello Frocktalkers!  Just here to let you know about a few things.  I have been asked to be a juror at a film festival this week, so I will MISS the CDG Awards on Thursday.  Do not fear.  Frocktalk correspondents Anthony and Sarah will be handling coverage of the event, and I can’t wait to hear their stories!  As part of the film festival I’m attending, I will screen Running Scared (2006), a film I designed, with Q & A afterward.  It should be fun!  Along those lines, I was recently interviewed by Chris at Clothesonfilm.com about the film, and you can read those interviews HERE and HERE.  Lastly, while I am away, there is a trunk show happening on Sunday in Glendale, and my wares will be peddled there.  More after the jump!

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The Keyes Sisters: From Costume Truck to Directors’ Chairs

Keva (L) and Karen Keyes

Keva and Karen Keyes are some of the most delightful gals you’ll ever meet. I was first introduced to them on the set of Walker Payne, a movie I designed in South Carolina in 2005. They were local costumers then; they are director and producer now. Their short film, Letters From Home, screens at the 18th Pan-African Film Festival in Culver City this weekend. I am excited to share their story with you. These ladies had the guts and the tenacity to transition into the directors’ chairs, and I interviewed them about all of it today.

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