I hope that by now, you have had the chance to see the incredible film Boyhood. Shot over the course of twelve years, we follow the same actors on their journey through life, as seen by Mason (aged 7 – 19). It’s a fascinating look at the ups and downs of life in all its gruesome messiness. The costumes follow the characters’ arcs seamlessly, and designer Kari Perkins (Bernie, Mud) has done a wonderful job on the longest narrative project ever! I had some questions for her that I thought you might enjoy…
Continue reading ‘BOYHOOD – Interview with Costume Designer Kari Perkins’
I thought the costumes in ‘Inside Llewyn Davis’ were so lovely, I just had to ask designer Mary Zophres a few quick questions about her work on the film. Here, she even gifts us with a few of her sources for vintage knits!! BONUS! Read on:
What were your discussions like with directors Joel and Ethan Coen about the look of this film?
Our first discussion involved the intention and that it should feel like a documentary. And that it should have an almost black and white quality to it without shooting in black and white. I also knew it was roughly inspired by Dave Van Ronk, a folk singer who never really achieved a lot of fame.
Continue reading ‘Inside Llewyn Davis: Interview with Costume Designer Mary Zophres!’
If you work in the arts, you probably know someone like Llewyn Davis… someone who has a boatload of talent, but can’t seem to stop self-sabotaging. The Coen Brothers make use of this archetype – the slacker who just can not, for the love of God, get on with it – in their tale of the early 1960s folk music scene in New York City. The movie is really interesting, though at times frustrating to watch, mostly because you just want to punch Llewyn in the face and tell him to get it together. The costumes (by designer Mary Zophres) are wonderful, and there is a very cute ginger kitty who steals just about every scene he’s in.
Continue reading ‘Inside Llewyn Davis’