I saw two movies today – OMG, stop the presses. I finally got some “KB Time” and took advantage of it. Bolstering the box office numbers for this weekend’s biggest contenders, I saw them both. There are some interesting parallels, in terms of the costumes, and here’s how I see it:
Continue reading ‘A Million Ways to Die in the West & Maleficent: Interpreting History & Lore’
Ellen Mirojnick is a legend in costume design. Her work spans everything from Basic Instinct to Chaplin to Speed to the new HBO bio-pic Behind the Candelabra. I spent a really nice breakfast recently with Ellen talking about a lot of things. I’m going to break it into two interviews, but I wanted to share with you Ellen’s thoughts about making Liberace come to life – helping to transform Michael Douglas into a flesh and blood version of someone so flamboyant he could be easily disregarded as a cartoon. Ellen’s work on this film is jaw-dropping, and I can’t wait to see the film – it airs at 9PM Sunday night, May 26th, on HBO. Read on for more here and join us for breakfast, won’t you?
Continue reading ‘Behind the Candelabra: Interview with Designer Ellen Mirojnick’
Review Date: 12-23-12
Runtime: 104 minutes
Period: 1920s-ish, Spain
Costume Designer: Paco Delgado
Okay, if you think that Les Misérables has great costumes, you ain’t seen nothing yet. Paco Delgado, the designer of Les Mis, hits a homerun with the silent, black-and-white (Spanish) adaptation of the Snow White story, Blancanieves. Let’s put it this way – his is the first in the main title credits. That says something. This is masterful work, and for me, his breathtaking work on Les Mis pales in comparison to his absolutely genius work in Blancanieves.
Continue reading ‘Blancanieves’