Ha. Ha. Ha. This would be funny if it wasn’t so true.
- KMB
Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen.
The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy.
** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **
And here’s a classic exchange between the 2nd AD and the transportation department. Enjoy!
- KMB
Hello Frocktalkers! I am still on the show that will not stop shooting, and it has been brutal! I am exhausted. I have so much to share with you - stories, interviews, reviews - and I just haven’t had time to get it all done. I will share with you some funny things that have been coming across my desk, namely some verrrry amusing animated shorts about working in the film industry. This one (below) cracked us up on set tonight! Enjoy!
– KMB
I published several articles last year about the economic downturn and how it has affected the film industry. The LA Times has been vigilant about reporting on our situation, and today’s offering is a very good update. Since the market crash in the summer of 2008, there has been talk that our recovery might be rocky - that is, we would crash, recover slightly, crash again, and then slowly recover for good. On a graph, that looks like the shape of the letter W. If you look at it through the lens the LA Times has crafted, we may have reached the second nadir now. It is true - there are fewer films being made, people are working for half their rates (testify!) and jobs are scarce. What I can tell you is that those of us lucky enough to be working are counting our blessings, no matter how difficult the show or how little we are paid. These are tough times. One day, we will look back on this time and tell stories about our hardships. I just hope I do it from the deck of my own private ski lodge in Switzerland. Have a great week, everyone!
- KMB
The Creative Arts Emmy Awards were held Saturday night, and big congratulations go out to costume designers Joan Bergin (The Tudors) and Jenny Beavan (Return to Cranford) for their wins!! Full list of winners HERE at The Envelope!
– KMB
Review date: 8-15-10
Release date: 8-13-10 (limited)
Runtime: 112 min.
Period: Contemporary
Costume Designer: Cappi Ireland
Animal Kingdom is an Australian film about a teenaged boy embroiled in his family’s vengeful, criminal enterprise. It is remarkable for its compelling story and strong performances, and for the fact that it was helmed by a first-timer, David Michôd. This is a tale of familial dysfunction on a Shakespearean (or even Greek) level, but it takes place in present-day Melbourne. This is a gritty, greasy, smelly, violent film… just like I like them.
Great article today in the LA Times by featuring interviews with costume designers Joan Bergin (The Tudors), Janie Bryant (Mad Men) and Lou Eyrich (Glee). Check it out HERE!
– KMB
Very interesting article in the LA Times. Some of the famous Walter Plunkett-designed gowns from Gone With the Wind are in need of restoration and repair. You can make a donation to help save them HERE. Keep in mind, most film costumes are not made to last forever, just through the shooting period, really. If these costumes are to be preserved, it is going to take some work! Once the costumes are restored, they can be exhibited, and we can share this important chapter of our art form’s history with the public. If you’d like more information about Walter Plunkett and the design process for this epic film, click HERE!
– KMB
Hello Frocktalkers! Forgive me as I have again been slammed with work. I still have more Comic Con things to post for you, but I am in the last throes of this job I have been trying to finish. I will be done next week, and I am exhausted. I want to let you know that Chris from Clothesonfilm.com has posted an interview with costume designer Jeffrey Kurland, and it is very interesting!! I won’t spoil it, but please have a read if you enjoyed the film. I plan to sit down with Mr. Kurland myself once my job madness is done. Stay tuned for more. Have a great week, everyone!!
- KMB
So today at the Con, Saturday, was my day to spend with Baby Shrek and Mini Lightning McQueen (hereafter “MLMcQ”). We set out at mid-day to avoid crowds trying to mob Baby Shrek for autographs or earwax candles. It was a good idea. Saturday is notoriously the most crowded, crazy day at Comic Con. This year was no exception. Crowds were heavy and thick, and not everyone remembered to wear deodorant (or, for that matter, not everyone remembered to NOT STAB ANYONE).
Continue reading ‘Comic Con 2010: Saturday! Baby Shrek Takes on the Con!’
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