Welcome to FrockTalk, the web’s only costume-based movie review site. The goal of Frocktalk is to shed light on the magnificent artistry of costume design in motion pictures. Reviews on this site are written by working costume designers in the entertainment industry – people who know, better than anyone, what it takes to make it all happen. The focus of FrockTalk is not to comment on the big flashy costume dramas, but to call attention to the seemingly ordinary costume design work in film that silently and persuasively moves the audience toward understanding the characters. Costume design for motion pictures is an art form that deserves more recognition than it usually gets. Fancy, pretty costumes do not always equal effective, appropriate costumes. The art of the costume is in letting the audience know who the character is, before the actor even has a chance to open his mouth. Read on, and enjoy. ** CAUTION: ALL REVIEWS CONTAIN SPOILERS! **

Nashville – a Letter from a Production Wife

Danger-Sign

This is a VERY interesting letter, written by the wife of one of the producers on TV’s NASHVILLE. Check it out – it’s an interesting perspective on the work and hours we perform, how we are treated, and what it all means.  I applaud its author, Micaela Bensko, and I kind of want to have her and family over for dinner.  Read on Frocktalkers.  Thanks for bearing with me – I have been flying by the seat of my pants these days.  Will have a juicy interview up for you very soon – ELLEN MIROJNICK, talking about her work on the upcoming Liberace movie for HBO, BEHIND THE CANDELABRA!  Have a great week, everyone!

-KMB

Filmjackets.com Interview with Yours Truly

Death-Sentence

Hey there, Frocktalkers – Happy FRIDAY!  Here’s a little interview you can read on your phone while you are stuck in traffic on the 101 on your way home from work.  Our friend Rick over at Filmjackets.com interviewed me for his site, and I thought you might find it interesting, or maybe hilarious, or maybe it will make you want to punch me in the face.  I don’t know.  I hope you don’t want to punch me in the face, but I can’t control that.  OMG, is it the weekend yet?!  I am fried!!  INTERVIEW HERE  Enjoy, and have a great weekend, everyone!!

- KMB

The Great Gatsby

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Hi everyone – I’ve just returned from a screening of The Great Gatsby, and wanted to briefly record my impressions here for you.  First of all, there are a TON of costumes. Like thousands and thousands of costumes, all very different from each other.  There are dance costumes and party costumes and poor people costumes and banker/Wall Street costumes and rich people costumes, etc., etc., etc., it’s exhausting! Bottom line: it’s beautiful.  But keep in mind, this is not a Merchant-Ivory movie; this is not the place to be looking for exacting period accuracy.  This is a Baz Luhrmann movie, and his specific vision is what comes to life here, courtesy of costumes and sets by designer Catherine Martin. Continue reading ‘The Great Gatsby’

Dribs and Drabs and Stuff

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Hey there, Frocktalkers!  Sorry it’s been such radio silence here.  My world has exploded in the past few weeks and I am scrambling to keep up with all of it.  There is some great news, though – I’ve been asked to do a TED talk – OMGsonervousIcan’tevenstandit!  I will be speaking at TEDx Pacific Palisades on June 29, 2013!  Yeah, exciting and crazy!  I will be talking about clothing and identity, and how we use the language of clothing in our work as costume designers.  Tickets available soon on the website – check it out HERE.

Also , tons of other cool things happening in the costume design world – on June 20, 2013 Costume Designer Sophie de Rakoff will be hosting a panel of costume designers for the Academy.  From the Hollywood Reporter:

Continue reading ‘Dribs and Drabs and Stuff’

Awardsapalooza 2013: The Daytime Emmy Nominations!

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Congratulations to the costume designers and their teams who were nominated this morning for Daytime Emmy awards!  They are as follows:

OUTSTANDING ACHIEVEMENT IN COSTUME DESIGN FOR A DRAMA SERIES

The Bold and the Beautiful           CBS

Danielle King, Costume Designer

Days of Our Lives    NBC

Jayne Marie Kehoe, Costumer Designer

General Hospital     ABC

Mary Iannelli, Costume Designer

The Young and the Restless          CBS

Jennifer Johns, Costume Designer

 

OUTSTANDING ACHIEVEMENT IN COSTUME DESIGN/STYLING

The Ellen DeGeneres Show           SYNDICATED

Jamie Salazar, Wardrobe Supervisor

Kellen Richards, Costume Designer

Ric Renae Hughes, Key Costumer

The Fresh Beat Band          Nickelodeon

Gene Barnhart, Costume Supervisor

Kiki Garwood, Costume Stylist, Key Costumer

Joyce Kim Lee, Costume Designer

Frank Alexander, Jessica Torok,

Kacy Treadway, Carly Mills, Erin Lenk, Costumers

R.L. Stine’s The Haunting Hour The Series       The HUB

Farnaz Khaki-Sadigh, Costume Designer

Sesame Street           PBS

Brian Hemesath, Jared Leese, Costume Designers/Live Actors

Jason Weber, Rollie Krewson, Constance Peterson,

Polly P. Smith, Michelle Hickey, Lara Maclean,

Anney Ozar, Heather Asch, Andrea Detwiler,

Loryn Brantz, Stanley Ulysses Jones, Elizabeth K. Hara,

Doug James, Colette Nickola, Jane F. Pien, Costume Designers/Muppets

Congratulations, everyone!!  Awards will be televised live on June 16th at 8PM EDT, 5PM PDT on HLN!

-KMB

Spotlight On: Costume Illustrator Phillip Boutte!

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Phillip Boutte is one of the hottest costume illustrators in town.  With a resume that includes box-office behemoths like Inception, Man of Steel, Twilight/Breaking Dawn, and Star Trek, his rise has been meteoric. We sat down to breakfast and ended up talking about everything from new rendering programs to racism in the media.  I really adore Phillip and am so excited to share this interview with you.  Grab a cup of coffee and join us, won’t you?

Continue reading ‘Spotlight On: Costume Illustrator Phillip Boutte!’

Burt Wonderstone: Interview with Designer Dayna Pink!

Olivia Wilde as Jane in "The Incredible Burt Wonderstone"

Olivia Wilde as Jane in “The Incredible Burt Wonderstone”

Frocktalkers, I am very excited to share this interview with you.  I sat down for breakfast with costume designer Dayna Pink, and we ended up talking about everything from Tenacious D to the tenuous work-life balance in our industry.  Grab a cup of coffee and join us for breakfast!

Continue reading ‘Burt Wonderstone: Interview with Designer Dayna Pink!’

HOLLYWOOD COSTUME Coming to Melbourne!

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Frocktalkers, remember that awesome HOLLYWOOD COSTUME exhibit that Deborah Nadoolman Landis put together at the V & A in London last October? Well, it’s on the move! The show will open at the Australian Centre for the Moving Image in Melbourne on April 24. This is a DO NOT MISS event, people. If you are in Australia or New Zealand (or anywhere else close-by), this exhibit merits a trip, for sure. It’s so exciting. More info HERE!  Enjoy, everyone!

- KMB

Sync On Set!

BOOK ANTI

Hey Frocktalkers!  If you don’t know about Sync on Set yet, you really need to listen up.  It’s a cloud-based continuity system.  Use your computer, iPad, iPhone to track continuity, break down scripts, communicate with the department, share information, etc.  We used it on Insidious 2 and it was really great – we didn’t even need a set binder, kids – it was amazing.  They have an AUTOMATED SCRIPT BREAKDOWN (okay?!) and if that’s not enough for you, they offer free classes and tutorials.  Here’s more info!

Continue reading ‘Sync On Set!’

The Incredible Burt Wonderstone

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Review Date: 4-2-2013

Release Date: 3-15-2013

Runtime: 100 min.

Period: Contemporary (flashbacks to 1980s)

Costume Designer: Dayna Pink

 

The Incredible Burt Wonderstone is a very interesting movie, and the costumes are awesome.  What kind of a dream job would it be to create a world of magic?  To span a few decades doing so?  To work with some of the best comedic talent in the process?  I sat down with costume designer Dayna Pink to discuss her work on the show, and I will run that interview soon.  But first, have a look at some of her outrageous and hilarious costumes.

Continue reading ‘The Incredible Burt Wonderstone’